Denes Dibusz 相關
廣告Get extended validity on Prado Museum tickets & plan your visit with flexibility. Book now. Prado Museum tickets at best prices. Choose from entry tickets, guided tours or combos.
搜尋結果
The Roman copy of a late Hellenistic model (125-100 B. C.) which, on account of its relaxed posture, recalls Praxiteles ’ art. The god, who is leaning on a herm, a distinctive feature of the late first century B. C., personifies the abundance of a good life through his soft, sensual body.
Image archive. Request artworks available in our catalogue in digital format. A work from the period of the emperor Hadrian which combines stylistic elements from the early classical period (490-470 B. C.) with others from the end of the fourth century B. C. Currently missing are the thyrsus, supported like a lance with the left hand, the head ...
The Death of the Consul Publius. Decius. 1616 - 1617. Oil on panel. Room 078. This panel is one of the models designed by Rubens for a series of tapestries on the life of the Consul Publius Decius (4th century BC).
This fragment of a Roman statue shows Silenus holding the infant Dionysus in his arms. It is a copy of a Greek original made between 290 and 280 B. C. by one of Lysippus´s pupils. The realistic features of Silenus, the young god’s master, pave the way for the naturalism of Hellenistic art.
2015年12月25日 · Request artworks available in our catalogue in digital format. A valley, crossed by a river on whose banks are several buildings, is framed by trees and mountains on the horizon. In the foreground are three seated figures and two more accompanied by horses.
This drawing belongs to the Ajello Sketchbook, a group of fifty-nine unbound pencil drawings that were models for engraving to illustrate a descriptive calendar of sculptures that Philip V and his wife, Elizabeth of Farnesio, had gathered in the Royal Palace of La Granja de San Ildefonso. See work in timeline. Tags.
Diana and Callisto. Ca. 1635. Oil on canvas. Room 029. When Rubens visited the Spanish court in Madrid from late August 1628 until April 1629, he copied many of the numerous paintings by Titian in the royal collection.
