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In this full-length portrait, King Carlos IV (1748-1819) wears a red frock coat adorned with silver and carries a ruler´s staff. His decorations include the Golden Fleece and the sash of the order of Carlos III. The Royal crown rests on an ermine-lined purple robe on the table to his side.
Portrait of King Charles IV as Prince of Asturias. Ca. 1765. Oil on canvas. On display elsewhere. Mengs had a profound influence on the younger generation of Spanish painters, notably on the Bayeus, Maella, Inza, Goya and Vicente López Portaña.
Print artworks available in our catalogue in high quality and your preferred size and finish. Image archive. Request artworks available in our catalogue in digital format. Upon the death of Charles III, Goya was asked to paint portraits of the new monarchs, Charles Bourbon IV and his wife, María Luisa of Parma.
Request artworks available in our catalogue in digital format. This painting was intended to hang to the right of the Equestrian Portrait of Philip IV (P01178) and it depicts that monarch´s first wife, Elizabeth of Bourbon (1602-1644), whom he married in 1615.
During his visit to Valencia in 1802, the Literary University of the city gave the King this painting which shows the university, personified as a young matron, introducing the royal family to the various faculties: Theology, Law, Philosophy and Medicine.
The Flood. Ca. 1530. Oil on panel. Not on display. The teacher of Anthonis Mor, Van Scorel introduced Roman Mannerism into the Low Countries. This scene combines figures derived from Michelangelo with a nocturnal landscape characteristic of the northern tradition.
Louis XIV of France. 1701. Oil on canvas. Room 019. The absolute protagonist of this canvas is the Sun King, who governed France from 1643 to 1715. He was only five years old when he took the throne after the death of his father, Louis XIII, but the early years of his reign were under the regency of his mother, Queen Anne of Austria (1601-1666
