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Print artworks available in our catalogue in high quality and your preferred size and finish. Image archive. Request artworks available in our catalogue in digital format. Calvary and The Descent from the Cross were two of the most frequent subjects in Pedro de Campaña’s oeuvre.
2015年12月24日 · The Holy Family. First third of the XVI century. Oil on panel. Room 052B. Luini personifies the reception of Leonardo in Lombardy through the reuse of his formal inventions, often combining figures from several of Da Vinci’s prototypes as though putting together pieces in a jigsaw.
Oil on canvas. Room 009. Traditionally identified as the woman who was a sinner and wept on Christ’s feet and wiped away her tears with her hair ( Luke 7:36-50), Mary Magdalene is shown here as the hermit saint she became upon giving up her life of moral decadence, after her encounter with the Savior.
The artist creates a beautiful play of contrasts between the golden tone of the Magdalene’s hair, her ivory skin and the striking and gradated blue of her mantle. Together these elements create an extremely effective tension between beauty, penitence and devotion. See work in timeline. Tags.
Request artworks available in our catalogue in digital format. Mary Magdalene is depicted half-length, in a pensive and melancholy mood. She rests her head on a skull that symbolizes the brevity of earthly life. A jar of salve, her characteristic attribute, appears in the foreground.
The Adoration of the Magi. 1460 - 1470. Oil on panel. Room 058A. The painting is a free copy of the central panel of the Columba Triptych by Rogier van der Weyden in Munich ( Alte Pinakothek ).
The original painting, now in Vienna (Kunsthistorisches Museum), shows Jupiter transformed into an eagle to ravish young Ganymede. It is one of a series of four mythological scenes that Correggio painted for the Duke of Mantua who, in turn, gave them to Charles V.
