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He continued the realism and attention to detail of fifteenth-century painting, as seen in the faces of the figures and the metallic reflection of one of the soldier’s helmets. This is combined with the influences of the Italian Renaissance in the use of architecture and classical decoration.
Oil on canvas. Room 063. This piece has long been regarded as a sketch for the picture of the same name at the Louvre, Didon. Énée racontant à Didon les malheurs de la ville de Troie (INV 5184), a huge success at the Paris Salon of 1817, of which several versions are known as well as some preparatory sketches.
Request artworks available in our catalogue in digital format. Copying masterpieces that were unknown in Spain formed part of the training of the artists awarded pensions to study in Rome during the 19th century.
Request artworks available in our catalogue in digital format. It is extremely likely that these two panels, -The Adoration of the Magi and The Adoration of the Shepherds-, similar in format, measurements and style, belonged to the predella of the same altarpiece...
Request artworks available in our catalogue in digital format. As Homer tells it in The Iliad, Paris the shepherd, son of Priam, had to decide with of the three goddesses —Juno, Venus or Minerva— was the most beautiful, and give her the golden apple Mercury he had received from Mercury.
The inside of the triptych is devoted to sin. The left panel depicts its origin, from the expulsion of the rebel angels to the expulsion from Paradise. Worthy of special mention is the way depicted the angels cast out of heaven for disobeying , who metamorphose into monstrous hybrid figures.
Proserpine, daughter of the earth goddess Ceres, was kidnapped by Pluto, the god of the underworld. Despite the resistance put up by Minerva, Venus and Diana, their relationship would blossom into love, as revealed by the presence of the cupids holding the chariot reigns and urging the horses on.
