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Shiota Chiharu. Born 1972 in Osaka Prefecture, currently based in Berlin. In 2008, Shiota received the Art Encouragement Prize from the Japanese Minister of Education, Culture, Sports, Science and Technology. In addition to solo exhibitions held across the world including Art Gallery of South Australia (2018), Yorkshire Sculpture Park (2018 ...
- Where Are We Going?
- In The Hand
- Uncertain Journey
- In Silence
- Reflection of Space and Time
- Inside - Outside
- Accumulation - Searching For The Destination
- Where to Go, What to Exist
- Out of My Body * Newly-Commissioned Work
The motif of the boat features frequently in Shiota Chiharu’s works, conjuring up visions of uncertain lives and futures akin to tiny boats bobbing in vast oceans. These 65 boats suspended from an 11-meter-high ceiling will greet visitors as they enter the museum, inviting them to embark on the journey of the exhibition.
An evanescent, fragile-looking object is protected in the palms of a child’s hands. Through her thread installations covering entire galleries, Shiota renders visible the invisible presences concealed within spaces, but this abstract motif, captured neatly between the palms, seems to represent the inherent life of her body, or spirit. It also calls...
The first installation encountered upon entering the galleries, Uncertain Journey consists of the bare frames of boats arranged in a space covered in bright red threads. In her work for the Japanese Pavilion at the 2015 Venice Biennale, Shiota hung a mass of keys from the top of an old traditional Venetian boat, but in Uncertain Journey, the boats ...
In Silencewas born out of a memory of the next-door house burning down in the middle of the night when Shiota was a child. A burned piano and audience seating are covered, with the entire space, in black thread. While symbolizing silence, the soundless piano plays visual music.
Like skin covering the body, dresses symbolize the boundary between one’s personal interior and exterior. Suspending such a dress in a space filled with black thread imparts a sensation of presence in absence. By hanging dresses on either side of a mirror dividing a space enclosed by a steel frame, Reflection of Space and Timeblends in the mind of ...
Around 2004, fifteen years after the fall of the Berlin Wall, Shiota Chiharu who moved to Germany in 1996 and is currently based in Berlin started making works using windows. At the time, Berlin was undergoing extensive redevelopment that included demolition of many buildings, and Shiota went around gathering up discarded windows. Windows exist as ...
This installation Accumulation - Searching for the Destinationis made up of around 430 oscillating suitcases. Shiota was inspired to create the installation by the discovery of old newspapers in a suitcase she found in Berlin. All things have their own, innate memories, and in this case, the suitcases seem to suggest the memories, movement and migr...
Personal photos, newspaper cuttings, rubble from buildings and other ephemera all gathered from somewhere - objects that suggest a lost past - are packed into old suitcases. Carrying someone’s memories in the form of keepsakes and souvenirs into a future where nothing is guaranteed, the cases seem to embody the thoughts of people living in an uncer...
Body parts began to appear in Shiota’s works following the 2017 return of her cancer and battle with the disease. Behind this was the experience of feeling that as she found herself on the treatment conveyor belt - having parts of her body removed, and undergoing chemotherapy - her soul was being left behind. For Shiota, who has always sensed the p...
本展の特徴. 主な展示作品. 関連情報. 関連プログラム. ベルリンを拠点にグローバルな活躍をする塩田千春は、記憶、不安、夢、沈黙など、かたちの無いものを表現したパフォーマンスやインスタレーションで知られています。 個人的な体験を出発点にしながらも、その作品はアイデンティティ、境界、存在といった普遍的な概念を問うことで世界の幅広い人々を惹きつけてきました。 なかでも黒や赤の糸を空間全体に張り巡らせたダイナミックなインスタレーションは、彼女の代表的なシリーズとなっています。 本展は、塩田千春の過去最大規模の個展です。 副題の｢魂がふるえる｣には、言葉にならない感情によって震えている心の動きを伝えたいという作家の思いが込められています。
燃えたグランドピアノと観客用の椅子が、黒い糸で空間ごと埋め尽くされる作品です。. 音の出ないピアノは沈黙を象徴しながらも、視覚的な音楽を奏でます。. 塩田千春. 《静けさの中で》. 2008年. 焼けたピアノ、焼けた椅子、黒毛糸. 展示風景：「存在様態 ...
塩田千春展：魂がふるえる 塩田千春の全貌を明らかにする、過去最大で最も網羅的な個展 2019.6.20（木）～ 10.27（日） 塩田千春の過去最大、最も網羅的な個展 世界各地で精力的に作品を発表している塩田千春は、美術館、国際展、ギャラリーなどで、これまでに約300本の展覧会に参加しており ...
塩田千春展：魂がふるえる 塩田千春の全貌を明らかにする、過去最大で最も網羅的な個展 2019.6.20（木）～ 10.27（日） 作家メッセージ 今まで、展覧会が好きでそれだけが生きがいで、作品を作ってきました。どうにもならない心の葛藤や言葉では伝えることができない感情、説明のつかない私 ...
2010年7月3日 · 2010年7月21日(水) 作家が紡ぎ出す、抽象化された自然のインスタレーション～インタビュー：ネイチャー・センス展を目前に（3） 「ネイチャー・センス展」では、吉岡徳仁、篠田太郎、栗林隆という3人の作家の、スケール感ある新作インスタレーションによって、私たちのネイチャー・センス ...
