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Akira Kurosawa [note 1] (黒澤明 or 黒沢明, Kurosawa Akira, March 23, 1910 – September 6, 1998) was a Japanese filmmaker and painter who directed 30 films in a career spanning over five decades. He is widely regarded as one of the greatest and most influential filmmakers in the history of cinema.
Akira Kurosawa | Director Supercut. 5 Videos. 32 Photos. After training as a painter (he storyboards his films as full-scale paintings), Kurosawa entered the film industry in 1936 as an assistant director, eventually making his directorial debut with Sanshiro Sugata (1943).
- 0001年01月01日
- Tokyo, Japan
- 0001年01月01日
- Tokyo, Japan
黑澤明 （日语： 黒澤 明／くろさわ あきら Kurozawa Akira ，1910年3月23日—1998年9月6日）， 法號 為「映明院殿紘國慈愛大居士」， 日本 電影 導演 、編劇，是 日本電影 最具國際影響力的導演之一，也是日本近代電影史的重要人物，被譽為「電影界的 莎士比亞 」。 其職業生涯橫跨近六十年，代表作包括《 羅生門 》、《 七武士 》、《 大鏢客 》、《 天國與地獄 》、《 德蘇烏扎拉 》、《 影武者 》、《 亂 》等。 生平簡介. 1910年生於 東京都 品川區 大井町 ，父親黑泽勇曾為職業军官。 黑泽明在家中排行第七。
1 天前 · 黑澤明 （日語： 黒澤 明／くろさわ あきら Kurozawa Akira ，1910年3月23日—1998年9月6日）， 法號 為「映明院殿紘國慈愛大居士」， 日本 電影 導演 、編劇，是 日本電影 最具國際影響力的導演之一，也是日本近代電影史的重要人物，被譽為「電影界的 莎士比亞 」。 其職業生涯橫跨近六十年，代表作包括《 羅生門 》、《 七武士 》、《 大鏢客 》、《 天國與地獄 》、《 德蘇烏扎拉 》、《 影武者 》、《 亂 》等。 生平簡介 [ 編輯] 1910年生於 東京都 品川區 大井町 ，父親黑澤勇曾為職業軍官。 黑澤明在家中排行第七。
- Overview
- Early life
- First films
- Films of the 1950s
Kurosawa Akira (born March 23, 1910, Tokyo, Japan—died September 6, 1998, Tokyo) first Japanese film director to win international acclaim, with such films as Rashomon (1950), Ikiru (1952), Seven Samurai (1954), Throne of Blood (1957), Kagemusha (1980), and Ran (1985).
Kurosawa’s father, who had once been an army officer, was a teacher who contributed to the development of athletics instruction in Japan. After leaving secondary school, Kurosawa attended an art school and began painting in the Western style. Although he was awarded important art prizes, he gave up his ambition to become a painter and in 1936 becam...
In 1943 Kurosawa was promoted to director and made his first feature film, Sanshiro Sugata, from his own scenario; this story of Japanese judo masters of the 1880s scored a great popular success. In 1944 he made his second film, Ichiban utsukushiku (The Most Beautiful), a story about girls at work in an arsenal. Immediately thereafter, he married the actress who had played the leading part in the picture, Yaguchi Yoko; they had two children, a son and a daughter. In August 1945, when Japan offered to surrender in World War II, he was shooting his picture Tora no o fumu otokotachi (They Who Step on the Tiger’s Tail), a parody of a well-known Kabuki drama. The Allied occupation forces, however, prohibited the release of most films dealing with Japan’s feudal past, and this outstanding comedy was not distributed until 1952.
Kurosawa’s Waga seishun ni kuinashi (1946; No Regrets for Our Youth) portrays the history of Japanese militarism from 1933 through the end of the war in terms of a person executed on suspicion of espionage during the war. Of the many postwar films criticizing Japanese militarism, this was the most successful, both artistically and commercially. It was Yoidore tenshi (1948; Drunken Angel), however, that made Kurosawa’s name famous. This story of a consumptive gangster and a drunken doctor living in the postwar desolation of downtown Tokyo is a melodrama intermingling desperation and hope, violence, and melancholy. The gangster was portrayed by a new actor, Mifune Toshirō, who became a star through this film and who subsequently appeared in most of Kurosawa’s films.
Kurosawa’s Rashomon was shown at the Venice Film Festival in 1951 and was awarded the Grand Prix. It also won the Academy Award for best foreign-language film. This was the first time a Japanese film had won such high international acclaim, and Japanese films now attracted serious attention all over the world. An adaptation of two short stories written by Akutagawa Ryūnosuke, the film deals with a samurai, his wife, a bandit, and a woodcutter in the 10th century; a rape and a murder are recollected by the four persons in distinctly different ways. This presentation of the same event as seen by different persons caught the imagination of the audience and advanced the idea of cinema as a means of probing a metaphysical problem.
Ikiru (“To Live”) is regarded by many critics as one of the finest works in the history of the cinema. It concerns a petty governmental official who learns he has only half a year until he will die from cancer. He searches for solace in the affection of his family but is betrayed, then seeks enjoyment but becomes disillusioned, and, in the end, is redeemed by using his position to work for the poor. In this film, which abounds in strong moral messages, Kurosawa depicts in an extremely realistic manner the collapse of the family system, as well as the hypocritical aspects of officials in postwar Japanese society. The picture was an outstanding document of the life and the spiritual situation of Japanese people, who were then beginning to recover from the desperation caused by defeat in the war.
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The epic Shichinin no samurai (Seven Samurai) is considered the most entertaining of Kurosawa’s films and also his greatest commercial success. It depicts a village of peasants and a few leaderless samurai who fight for the village against a gang of marauding bandits. Although it was inspired by his admiration of Hollywood westerns, it was executed in an entirely Japanese style. Somewhat ironically, Kurosawa’s film later served as the inspiration for one of the greatest American westerns, John Sturges’s The Magnificent Seven (1960).
Ikimono no kiroku (1955; I Live in Fear, or Record of a Living Being) is a deeply honest film portraying a Japanese foundry owner’s terror of the atomic tests conducted by the United States and the Soviet Union. Its pessimistic conclusion, however, made it a commercial failure.
- Tadao Sato
中文名. 黑泽明. 外文名. クロサワアキラ. 黒沢明. 黒澤明. Akira Kurosawa. くろさわ あきら. 别 名. 黑泽天皇、Wind Man、The Emperor. 国 籍. 日本. 民 族. 大和. 出生地. 东京都荏原郡大井町1150番地（今品川区东大井町三丁目18番附近）
黑泽明（Akira Kurosawa）出生于东京都荏原郡大井町1150番地（现在的品川区东大井三丁目18番附近）。 父亲黑泽勇，母亲黑泽缟的第四个儿子，也是四男四女的兄妹中最末的一个。 初中毕业后，黑泽明热衷于绘画，并立志当一名画家 ，由于受到哥哥突然自杀的影响，1934年黑泽明进入PCL电影公司（东宝电影的前身）考取了助理导演，拜导演山本嘉次郎为师，学习导演和编剧。 黑泽明称他为一生之中最好的老师。 在老师的教导和帮助下，黑泽明得到了真正的锻炼，从第三副导演晋升为第一副导演，并能胜任B班导演。 之后又以剧作家的身份发表了，《达摩寺里的德国. (展开) 图片 · · · · · · ( 全部 285 张 · 上传照片 ) 获奖情况 · · · · · · ( 全部 21 )
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