搜尋結果
Numerous versions of this subject painted by Orrente are preserved (Museums of Budapest and of Bilbao, private collection in Madrid, Museum of Greenville). However, none of them match this composition which seems, in technique, figures and nature, very characteristic of his hand and full of references to Bassano’s style; both in the ...
Reproduce un tipo iconográfico similar a la tabla del tríptico Heinemann del Maestro de Budapest. Como en ella, se funden la subida de la Virgen al cielo y su coronación por dos ángeles en presencia de Dios Padre y la Inmaculada descendiendo a tierra.
Collection. Miguel Falomir. Museo del Prado's director [+] Welcome to the Museo del Prado, an institution dating back 200 years and one whose origins and unique nature are largely due to the collecting tastes of Spain’s 16th- and 17th-century monarchs. Collecting at that period differed from the present day.
In the centre of a rectangular surface Bosch incised a circle in which he depicted this scene of Extracting the stone of madness. The resulting image is a mirror that offers a reflection of folly and human madness, located in a rural world remote from that of the nobility and urban life, hence the setting in the countryside in an open landscape.
Alberto de Austria, the sovereign prince of the Low Countries, is dressed in black and sits under a canopy indicating that this is a court portrait. Unlike the customary indoor portraits, this one is set on a balcony open to a landscape that includes Tervuren Palace, near Brussels.
2016年1月6日 · The “Furias” first appeared as a group in art in 1548 when Mary of Hungary commissioned Titian to paint four canvases for her palace at Binche (on the outskirts of Brussels) depicting Tityus, Tantalus, Sisyphus and Ixion, figures whom she associated with the German princes who had rebelled against her brother, the Emperor Charles V, and whom he ...
This is the story of Nastagio, a young man from Ravenna who was rejected by the daughter of Paolo Traversari and abandoned the city to settle on its outskirts. The third panel shows the guests´ reaction to the events, and how Nastagio´s beloved uses a maid to indicate that she is willing to marry him. The fourth panel depicts the wedding banquet.
