雅虎香港 搜尋

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  1. 2024年7月17日 · Here Morera reveals his preference for restrained light and gradual transitions rather than pure colours, which he had criticised in a written text. Avoiding modern conventions of landscape painting, he aimed to capture the grandeur of the mountains on cloudy days.

  2. 2024年7月27日 · Arturo Ansón Navarro (2012) identified the model as the twelve-year-old Infanta Maria Amalia (1779 – 1798) and attributed the portrait to Ramón Bayeu for both stylistic reasons and for its documented relationship with a series of portraits of the royal family painted by Bayeu around 1791.

  3. 2024年7月27日 · The Glass of Water. Ca. 1882. Oil on canvas. On display elsewhere. It is likely that this work is related to the series of paintings by the artist on the picaresque novel Gil Blas de Santillana (1715–1735), by Alain-René Lesage (1668–1747). See work in timeline. Tags. 1877 1887 Painting Oil Canvas. RDF. Technical data. Inventory number. P006201.

  4. 2024年7月23日 · This painting, together with The Annunciation (P004086), Episode from the life of Saint John of Matha (?) (P004087), Religious Scene (P006585), Religious Scene - Saint Peter putting the biretta on a saint (P006586) and Religious Scene (P006587) were previously located in the Church La Trinidad, where they were placed in a space known as ‘the half-dome’.

  5. 6 天前 · Venus with an Organist and Cupid. Lithographic aquatint on wove paper, 1832 - 1837. Madrazo y Agudo, José de - Director. Sensi y Baldachi, Gaspar - Lithographer - (Author of the original work - Titian (Tiziano Vecellio)) Real Establecimiento Litográfico de Madrid - Printer. Inventory number. G004926.

  6. 2024年7月27日 · Oil on canvas. On display elsewhere. Portraits of the Habsburg family were widely disseminated through throughout the 16th and much of the 17th century in numerous versions and copies of varying quality, depending on circumstance and context.

  7. 2024年7月26日 · RESOLUCIÓN del Organismo Público Museo Nacional del Prado por la que se convocan procesos selectivos para ingreso en la categoría profesional de Auxiliar de Servicios Generales N6 (Vigilancia en Salas), como personal laboral fijo y fijo-discontinuo, sujetos al Convenio Colectivo del Museo Nacional de Prado, y por la que se aprueba el procedimien...