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  1. Misremembered Lines. 2011. crystal, glass and acrylic beads on nickel-chrome wire, stainless-steel and aluminum armature. 170 × 175 × 150 cm. Courtesy: Studio Lee Bul. Photo: Watanabe Osamu. Snow-covered mountains stand along the rim of a bathtub which is filled with black liquid. The scene depicts Heaven Lake (Cheonji) a crater lake located ...

  2. Thaw (Takaki Masao) | Lee Bul: From me, Belongs to you only | MORI ART MUSEUM. 2007. fiberglass, acrylic paint, black crystal and glass beads on nickel-chrome wire. 93 × 212 × 113 cm. Collection: Galerie Thaddaeus Ropac, Salzburg / Paris. Photo Courtesy: the artist and Fondation Cartier pour l'art contemporain, paris. Photo: Patrick Gries.

  3. In 1919, the German architect and urban planner Bruno Taut, who is best known for works such as his Glass Pavilion (1914), became inspired by the fantasy novelist Paul Scheerbart's essays on Glasarchitektur (Glass Architecture) (1914) and thus developed what he called Alpine Architecture (1919), in which buildings are giant artworks arranged in ...

  4. 2018年3月6日 · Leandro Erlich. Elevator 1995/2017. Metal frame, wood, formica, mirror. 225 x 169.2 x 121.1 cm. Collection of the Artist. Installation view: “Leandro Erlich: Seeing and Believing,” Mori Art Museum, Tokyo, 2017. Photo: Hasegawa Kenta. Courtesy: Art Front Gallery and Ruth Benzacar Galeria de Arte. Tag. Leandro Erlich.

  5. In 1997, Majestic Splendor was exhibited as part of the “Projects” series at The Museum of Modern Art, New York. The artwork, which consisted of garishly decorated raw fish, filled the gallery with a terrible stench and they were consequently removed shortly after the exhibition opened.

  6. In 2010, the Lee Ufan Museum opened on Naoshima, Japan, followed by Space Lee Ufan annex of the Busan Museum of Art in South Korea in 2015, and Lee Ufan Arles in the French city of Arles in 2022. Relatum (1968/2019) features sheets of industrial iron and glass placed over each other on the floor, with a large rock then on top.

  7. 2018年12月12日 · Thinly extended soap is applied to the walls of a narrow L-shaped corridor. For this artist from Poland, where many Jews lost their lives in the Holocaust during World War II, soap is a highly symbolic material. Miroslaw Balka Soap Corridor 1993/2018 Plywood, paint

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