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The Holy Family with a Parrot. Ca. 1543. Oil on panel. Room 049. Salviati belonged to a generation of Florentine painters characterised by the sophistication of their visual language and by a deliberate formal and conceptual complexity. Having trained with Andrea del Sarto, he moved to Rome in 1531.
Print artworks available in our catalogue in high quality and your preferred size and finish. Image archive. Request artworks available in our catalogue in digital format. When Parmigianino left his native city of Parma to move to Rome in 1524 he took this painting with him and presented it to Pope Clement VII.
El loro que hay detrás, frecuente en algunas obras de Rubens y del propio Jordaens, puede tener varios significados; en el presente lienzo se identifica con la virtud de la fidelidad marital. La fruta que la pequeña Elizabeth mantiene en su mano izquierda es también un símbolo de amor, así como las flores de su cestillo lo son de inocencia ...
This altarpiece was painted for the monastery of Santo Domenico in Fiesole, near Florence. The central panel shows the Archangel Gabriel’s Annunciation to Mary under a portico. On the left, Adam and Eve are being expelled from Paradise. The damnation and salvation of Humanity.
Original Sin, Hermitage of Vera Cruz, Maderuelo (Segovia) Fresco painting on mural transferred to canvas. XII century. Anonymous. Check out the 8062 Explore the collection of Museo Nacional del Prado.
Para Falkenburg, el tema general del Jardín de las delicias es el destino de la humanidad, el mismo que el del Carro de heno (P02052), aunque el Bosco lo visualice de distinta manera, mucho más explícita en la tabla central del Carro de heno que en la del Jardín.
Jacopo Basilio commissioned this painting for the Monastery of Santa Maria dello Spasimo in Palermo, from which it derives its popular name, lo Spasimo di Sicilia (“The Wonder of Sicily)”, which reflects Raphael´s interest in the depiction of extreme physical and psychological states.
