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Interview recorded on June 26, 2019. My name is Javier Solana and I’m a Member of the Board of Trustees at the Museo del Prado. The Prado has been a part of my life. I have been a Trustee for many years, and I was also Minister for Culture for a number of years, so the Museum is in my heart.
This panel from the Arango collection is one of the artist’s most refined and emblematic creations from the 1570s. The center of the composition is a reinterpretation of the central idea in Marcoantonio Raimondi’s print, which is also present in earlier .
Request artworks available in our catalogue in digital format. Faetón, hijo de Apolo, para comprobar que era realmente hijo del dios Febo, pidió a su padre poder conducir durante un día el carro del sol. A pesar de las advertencias de su padre de la peligrosidad de guiar a los caballos, Faetón insistió y finalmente acabó en desastre.
Saint Peter freed by an Angel. 1643. Oil on canvas. Room 017A. Saint Peter is miraculously freed from prison in Jerusalem ( Acts 12, 1-11) by an angel so that he can continue to evangelize. The chains and shackles lying open on the floor and the angel pointing toward the exit allow us to follow the action.
Self-portrait. 1498. Oil on panel. In the same year that he published the Apocalipsis cum figuris, Dürer painted himself as a gentleman, dressed in light toned clothes and looking his best. He wears an open black and white doublet with a striped cap in the same colours, an undershirt trimmed with gold and a silk cord of blue and white threads ...
2023年10月6日 · The Museo del Prado is focusing on the role of images in the relations between Jews and Christians in medieval Spain. The lost mirror. Jews and conversos in medieval Spain is the first major exhibition in terms of both the number and importance of works included to reconstruct a particular medieval mirror: the portrait of Jews and ...
This fragment of a Roman statue shows Silenus holding the infant Dionysus in his arms. It is a copy of a Greek original made between 290 and 280 B. C. by one of Lysippus´s pupils. The realistic features of Silenus, the young god’s master, pave the way for the naturalism of Hellenistic art.
