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The Virgin with the Pomegranate is an exceptional work painted during one of the key periods in the history of art, in Florence, cradle of the Renaissance, in the first quarter of the fifteenth century, by one of its principal protagonists.
Valencia, 1473 - Valencia, 1551. See author's file. The Coronation of the Virgin. After 1521. Oil on panel. Room 051. The Virgin is crowned in the heavens by God the Father, Christ and the Holy Spirit, depicted in the form of a dove with its wings outstretched.
This panel from the Arango collection is one of the artist’s most refined and emblematic creations from the 1570s. The center of the composition is a reinterpretation of the central idea in Marcoantonio Raimondi’s print, which is also present in earlier .
Unknown Woman. 1627 - 1632. Oil on canvas. Not on display. Wearing black, with a broad, Spanish-style ruff collar and a three-strand necklace that she grasps in her right hand, this lady is presented to the viewer as serene and haughty.
Request artworks available in our catalogue in digital format. Tuccia was one of the virgins at the temple of Vesta, goddess of fire. Accused of adultery, she proved her innocence by carrying water in a sieve without spilling a drop.
Request artworks available in our catalogue in digital format. The series of paintings featuring the ‘children in the water’ motif culminates in this work, in which nude boys play a greater part in the composition than in other pictures by Sorolla.
Request artworks available in our catalogue in digital format. This is the central panel of the Altar piece of Saint Dominic, brought -with three other paintings in the Prado (P609, P610 and P615)- from the Convent of Santo Tomás in Ávila, the headquarters of the Inquisition.
