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  1. www.museodelprado.es › en › the-collectionOrpheus and Eurydice - The Collection - Museo Nacional del Prado

    Request artworks available in our catalogue in digital format. Orpheus descends into the Underworld to recover his wife, Eurydice, who died after being bitten by a serpent. Pluto and Proserpina, the god and goddess of the underworld, are so moved by the music of his lyre that they accede to his request.

  2. www.museodelprado.es › en › the-collectionThe judgement of Paris - Museo Nacional del Prado

    Francesco Albani was a much favoured pupil of Annibale Carracci. His success was partially due to mythological paintings such as The toilet of Venus (P1) and The judgement of Paris (P2), whose refined and lyrical view of nature helped disseminate the classical ideals of the Carracci`s landscapes.

  3. www.museodelprado.es › en › the-collectionThe Death of Seneca - Museo Nacional del Prado

    This canvas depicts the death of the Roman philosopher Seneca, who was accused of treason and obliged by Nero to commit suicide in the year 65AD. It emphasises the values of Stoicism, an influential current of thought in early seventeenth-century Europe.

  4. www.museodelprado.esMuseo Nacional del Prado

    El arte que conecta. 1/4/2024 - 8/12/2024. +. Página web oficial del Museo Nacional del Prado (Madrid, España)

  5. www.museodelprado.es › en › the-collectionNero and Seneca - The Collection - Museo Nacional del Prado

    Nero and Seneca was awarded a first-prize medal at the National Fine Arts exhibition in Madrid in 1904. Barrón never produced a final version of it, in bronze or marble, making this preparatory plaster of unusual size particularly important.

    • 桑恩·戴治1
    • 桑恩·戴治2
    • 桑恩·戴治3
    • 桑恩·戴治4

  6. www.museodelprado.es › en › the-collectionThe Dead Christ supported by an Angel - Museo Nacional del Prado

    The Dead Christ supported by an Angel. 1475 - 1476. Mixed method on panel. Room 056B. Antonello da Messina was trained in Naples, the Italian city where the influence of Flemish painting was greatest. He later worked in Sicily and mainland Italy. In 1475, he travelled to Venice.

  7. www.museodelprado.es › en › the-collectionThe Return of the Prodigal Son - Museo Nacional del Prado

    This work portrays the well-known New Testament parable ( Luke, 15: 11-32) illustrating the repentance of the sinner and the virtues of forgiveness. The pretext for the setting is the banquet given by the father to celebrate the return of the son, in which, according to the gospel, a fatted calf was served.