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Flashback: Les Belles (1961) – Linda Lin Dai stars in acclaimed Hong Kong musical. Age hasn’t dimmed this joyous Shaw Brothers musical, with a wispy plot that serves merely as a vehicle for an abundance of choreographed numbers that run the gamut from Broadway tap to classical Chinese. 刊物: South China Morning Post.
In Mountains May Depart, Jia Zhangke has employed plenty of close-ups: of characters talking, arguing, crying, and a (clothed) couple locked in what should be a post-coital embrace - the latter a first for the Chinese director.
In a discussion of the influential trends in early post-second world war Cantonese cinema, it would be hard to come up with a better example than The Prodigal Son. 刊物: South China Morning Post
Completed in the late 1960s, but not widely distributed until the early '70s, The Arch ranks among Hong Kong's most unusual cinematic accomplishments of either decade. The middle-class charm that Hong Kong cinema once possessed is on display in My Lucky ...
Leon Dai Li-ren recalls the endless rejections he faced when he first visited film company executives in 2005 to ask for financial backing for what would eventually become his second directorial effort. Dennis Law Sau-yiu remembers the day last summer when he was
In the celluloid realm of murder mysteries, Mysterious Murderer's plot convolutions have hardly withstood the test of time - and were probably none too convincing even when "new" six decades ago. A thirty-something army officer finds himself increasing attracted to ...
As Hong Sang-soo's Frenchwoman-lost-in-Korea project, In Another Country, was unveiled on Thursday as part of the 2012 Cannes Film Festival's official selection, it's perhaps timely to revisit his Korean-man-lost-in-France film from 2008, Night and Day.
