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  1. Liu Fang is an internationally acclaimed virtuoso for pipa and guzheng. Born in 1974 in Kunming in the province of Yunnan, China, she began playing the pipa at the age of 6, and by 11, she performed before Queen Elizabeth II. Her studies at the Shanghai Conservatory of Music broadened her musical range to include the study of the guzheng.

  2. Liu Fang transmits in an expressive and erudite way the beauty and grace of Chinese traditional classical music, while drawing out the subtle sonorities of the pipa and the guzheng. Through the power and sensitivity of her playing, she gives renewed interpretations of the ancient repertory, of the poetic as well as the martial styles.

  3. The pipa (pronounced "pee-paa") is a four-stringed lute, one of the oldest Chinese musical instruments with over 2000 years of history. The term pipa () consists of two Chinese characters symboliz ing two playing techniques (known as "Tan" and "Tiao" today) while their pronunciations p'i and p'a are imitations of the sounds produced accordingly.

  4. Solo albums. Chinese pipa and guzheng music from the classical and folkloric traditions and world music.

  5. www.liufangmusic.net › English › biographyLiu Fang: Biography

    Born in Kunming (China) in 1974, Liu Fang started learning the pipa (Chinese luete) at the age of 6 and soon began to perform in public as child prodigy, including a performance for the Queen of England during a royal visit to China.

  6. An introduction to traditional and classical music from China. Interview by Paula E. Kirman: "Liu Fang's Passionate Pipa - Award-winning young pipa virtuoso Liu Fang talks about her passion for Chinese classical music". A brief history of the Chinese lute pipa. Free samples of pipa music performed by Liu Fang. Repertoire. Liu Fang, Pipa soloist.

  7. www.liufangmusic.net › big5 › history_of_zheng箏的歷史沿革

    大致有三種說法: 1、分瑟為箏說. 在古代文獻中確實有分瑟為箏的說法。 唐趙磷《因話錄》中記述:“箏,秦樂也,乃琴之流(一作琴)。 古瑟五十弦,自黃帝令素女鼓瑟,帝悲不止,破之,自后瑟至二十五弦。 秦人鼓瑟,兄弟爭之,又破為二。 箏之名自此始。 ”宋代的丁度在他的《集韻》中也載有類似的說法:“秦人薄義,父子爭瑟而分之,因此為名。 箏十二弦,蓋破二十五而為之也。 ”日本第十七世紀元祿年間宮廷樂師岡昌名所著《樂道類集》中記載有:“...或云:秦有婉無義者。 以一瑟傳二女,二女爭引破,終為二器,故號箏。