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The original painting, now in Vienna (Kunsthistorisches Museum), shows Jupiter transformed into an eagle to ravish young Ganymede. It is one of a series of four mythological scenes that Correggio painted for the Duke of Mantua who, in turn, gave them to Charles V.
Proserpine, daughter of the earth goddess Ceres, was kidnapped by Pluto, the god of the underworld. Despite the resistance put up by Minerva, Venus and Diana, their relationship would blossom into love, as revealed by the presence of the cupids holding the chariot reigns and urging the horses on.
2015年12月25日 · The diagonal composition has a distinctly ascending sense and the lightening bolt visible among the clouds, which symbolizes the god, alludes to the force and fury with which the kidnapping takes place. Here, the artist drew on classical sculpture.
Venus recreándose con el Amor y la Música. Óleo sobre lienzo, Hacia 1555. Tiziano, Vecellio di Gregorio. Número de catálogo. HF05532/010. Autor. Hauser y Menet -Fotógrafo y editor- (Autor de la obra original: Tiziano, Vecellio di Gregorio) Título. Venus recreándose con el Amor y la Música.
The toilet of Venus, c. 1635-40, is one of many versions Albani made of this subject (the most famous are in the Galleria Borghese, Rome, and the Musée du Louvre, Paris ). Venus reclines on a chair as three servants, possibly the Three Graces, attend to her.
The First Kiss. 1891. Oil on canvas. Not on display. Painted in Rome as an exercise in fulfilment of the requirements of a residential grant, which explains the marked academicism of the nude figure of Adam, Viniegra’s canvas presents the image of Eve as the bringer of original sin and the cause of mankind’s expulsion from Paradise.
Aesop and Menippus are first listed in the inventory of the Torre de la Parada between 1701 and 1703. Among other works, this hunting lodge had a vast cycle of mythological paintings made by Rubens and his assistants, as well as some of Velázquez’s portraits of buffoons and member of the royal family dressed as hunters.
