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Gallery Talk #2 (English) Booking Period : 2024.6.20 [Thu] - 6.20 [Thu] Theaster Gates General Exhibition-Related Programs 2024.7.17 [Wed] 19:00 - 20:00 Gallery Talk #3 (Japanese) Booking Period : 2024.7.17 [Wed] - 7.17 [Wed] Theaster Gates General 2024. ...
Inquiries: MORI ART MUSEUM SHOP 53. Tel: +81- (0)3-6406-6118. shop@macmuseumshop.com. The Museum mainly has modern art exhibitions in a variety of genres, including fashion, architecture, design, photography, and video.
2024年4月25日 · Biography. Born 1973 in Chicago, IL, where he continues to live, Theaster Gates studied urban design, ceramics, religion, and visual art at Iowa State University and the University of Cape Town, South Africa. He masterfully translates the intricacies of Blackness through clay, objecthood, music, film, space and materiality.
About “MAM Digital”. “MAM Digital” refers to all the programs provided by the Mori Art Museum utilizing digital media, and their platforms. These programs offer access to a wide range of art-related content and activities, including online projects/showcases organized in conjunction with art museums and artists in Japan and overseas ...
2023年2月8日 · Date & Time 19:00-20:00, Wednesday, February 8, 2023 Featuring Yamazaki Mizuho (Assistant, Mori Art Museum) Booking NOT required (first-come basis; please come to the entrance hall of the exhibition directly) Booking Period 2023.2.8 [Wed] - 2.8 [Wed]
2017年11月18日 · On The Swimming Pool. Leandro Erlich is familiar to the Japanese public through such installations as The Swimming Pool, on permanent display in the 21st Century Museum of Contemporary Art, Kanazawa. In The Swimming Pool, through water separating above and below ground, those above ground can watch people moving around underwater, while those ...
2023年11月15日 · Conducted in English Gallery Talk by the exhibition curator conducted in a gallery-tour format. Date & Time 19:00-20:00, Wednesday, November 15, 2023 Featuring Martin Germann (Adjunct Curator, Mori Art Museum) Booking NOT required (first-come basis ...
