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- This film is a humorous lesson in seeing the world through another person's eyes. In this instance, a mom and daughter, at odds over values, behavior, and hopes, learn to more fully understand each other and get a solid look at the joys and difficulties each of them faces every day.
www.commonsensemedia.org/movie-reviews/freaky-friday
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Comedy. 93 minutes ‧ PG ‧ 2003. Roger Ebert. August 6, 2003. 4 min read. Actors must love to make body-switch movies. Look at the fun Jamie Lee Curtis and Lindsay Lohan have in “Freaky Friday.” Each one gets to imitate the body language and inner nature of the other, while firing salvos across the generation gap.
Parents need to know that Freaky Friday is a switched-identities comedy that will appeal to older kids, tweens, and teens alike. It's a good movie for families to watch together, as it will spark shared laughter and possible lively conversation about parent-child relationships.
- Jamie Lee Curtis, Lindsay Lohan, Mark Harmon
- Mark Waters
- Buena Vista
2021年3月19日 · 如果有人正處於緊張的親子關係，或是正在與親人吵架，我都強烈推薦去看這部電影—辣媽辣妹(英文：Freaky Friday)，一部迪士尼寓教於樂的不朽之作。 這部電影中隱含了3個重要啟示，我歸納如下：
Directed by Mark Waters. A first-class comedy that makes empathy into an appealing bridge-building virtue. Film Review by Frederic and Mary Ann Brussat. Read a spiritual exercise for empathy practice. It is very difficult to keep empathy alive in these nasty, aggressive, push-and-shove times.
2003年12月12日 · Freaky Friday (2003) Reviewed by Stella Papamichael. Updated 17 December 2003. Contains mild language and sex references. Jamie Lee Curtis and Lindsay Lohan get their freak on in Freaky...
Movie Review. Native Americans have a saying, “If you want to understand my world, walk a mile in my moccasins.” Although never quoted directly, this proverb provides the foundation for Freaky Friday —with a twist. Take two very different people. Have them not only swap footgear, but trade entire bodies.
2003年8月2日 · A jovial old-fashioned family comedy thankfully devoid of crass bodily-function jokes or cartoonish perverts, the film strives for straightforward, mild good fun, and—unlike the torturous body-swapping ’80s comedies Like Father, Like Son and Vice Versa
