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The cinema of Hong Kong (Chinese: 香港電影) is one of the three major threads in the history of Chinese-language cinema, alongside the cinema of China and the cinema of Taiwan. As a former Crown colony , Hong Kong had a greater degree of political and economic freedom than mainland China and Taiwan , and developed into a filmmaking hub for ...
Although Hong Kong cinema would never again dominate U.S. ticket sales as it did in the summer and fall of 1973, for a number of years afterward dubbed action films from Hong Kong maintained a powerful pres-
2012年6月5日 · As a century and a half of British colonial rule ended in Hong Kong and the island returned to Chinese control on July 1, 1997, the media in the Chinese speaking world was all geared up to celebrate, relish, and comment on the event.
- Sheldon Lu
- 2000
2022年1月22日 · "The Cinema of Hong Kong examines one of the most popular, dynamic, and important cinema traditions in the history of film. Providing an overview of major directors, genres, and stars, from its origins to the present, this volume examines Hong Kong cinema in
University of Melbourne, Australia. This paper presents a position on Hong Kong's postcoloniality through an analysis of one of its cultural institutions: cinema, and in particular three of its films: HOME AT. HONG KONG (1983), THE KILLER (1989) and MARY FROM BEIJING (1992). In doing.
2020年3月4日 · Decolonization in the context of Hong Kong involves a ‘complex series of cultural-political struggles to re-imagine the future for the next 30 years and beyond,’ according to Chan’s “Delay No More: Struggles to Re-Imagine Hong Kong” (2015).
2012年6月5日 · It attempts to establish that one main characteristic that distinguishes Hong Kong from mainland China is shown in its formation of urban culture since 1949, especially during the 1960s, and aims to scrutinize films from the 1950s to the 1990s, which focus on the city of Hong Kong so as to examine how cultural workers define and rethink their cu...
