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Mother and Child: Hood. by Henry Moore. The arrival in the Cathedral of a groundbreaking sculpture by Henry Moore initiated a new relationship with contemporary art which continues to this day. The smooth organic form of Henry Moore’s Mother and Child: Hood seems to invite visitors to stroke its marble surface.
2022年4月6日 · Three Motives Against a Wall No.1. Henry Moore OM, CH. 1958, cast 1959. ‘Mother and Child‘, Henry Moore OM, CH, 1953, cast c.1954 on display at Tate Britain.
According to the scholar Lyndsey Stonebridge, ‘Moore’s mothers and their children were not so much the visual correlates of the theory [of Klein], as reminders of what psychoanalysis itself was trying to describe’.10 Art critic David Cohen has noted that Klein11
The child was named after Moore's mother, who had died two years earlier. Both the loss of his mother and the arrival of a baby focused Moore's mind on the family, which he expressed in his work by producing many "mother-and-child" compositions, although reclining and internal/external figures also remained popular.
When Henry Moore died in 1986, he left a legacy of primeval public monuments across the world. From Scotland to Saudi Arabia, his bronze and slate-coloured hulks brood over the landscape like...
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Mother and Child. Date1961. Artwork TypeSculpture. Catalogue NumberLH 497 plaster. Media plaster with surface colour. Dimensions artwork: 8.7 × 6 × 4.4 cm. OwnershipThe Henry Moore Foundation: gift of the artist 1977. Collections. Bourne Maquette Studio.
2004年5月12日 · The 1932 sculpture was Moore’s first full-length mother and child, and his most ambitious carving to date. Archive images show that Moore initially carved drapery on the lower half of the figure, before transforming it into two legs and a stool.
