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Roppongi Crossing 2025. 2025.12.3 [Wed] - 2026.4.5 [Sun] Visit Us. About the Exhibition. Organized by the Mori Art Museum every three years since 2004, the Roppongi Crossing exhibitions provide a snapshot of the Japanese art scene at that particular moment in time.
Her “Mantra” series (2005-), which includes the short meditative video work Tofu Mantra in the museum collection, represents this oscillation between growth and decay, form and void, living and dead. In another work, Tsai wrote fragments of the “One China” policy and the Taiwanese declaration of independence on live hermit crabs and ...
- Tatsuo Miyajima
- Tatsuo Miyajima Archives
- Profile
Exploring concepts that the artist describes as “it keeps changing,” “it connects with everything,” and “it continues forever,” Tatsuo Miyajima has since the mid-1980s created a body of installations and sculptures using digital LED counters with numbers changing from 1 to 9. The LEDs go dark without ever displaying the number 0, a deliberate choic...
In the “Artists’ Archives” section of the STARS exhibition, chronology of major exhibitions, catalogues, installation-view photographs, exhibition reviews and other materials related to each STARSartist shed light on the international standing of the artist over the decades. The career timelines of the artists presented in the exhibition gallery ar...
Born 1957 in Tokyo. Based in Ibaraki Prefecture. Based on the concepts “it keeps changing,” “it connects with everything,” and “it continues forever,” Miyajima’s practice focuses mainly on installations and sculptures that use digital counters displaying changing numbers. In 1988, he exhibited a work called Sea of Time in the Aperto ’88of the 43rd ...
Museum Admission Discount for Observation Deck Visitors! Just with extra 500 yen, Tokyo City View Indoor Observation Deck Ticket Holders will be granted (discount) admission to Chim↑Pom: Happy Spring. For: Ticket Holders of Tokyo City View Indoor Observation Deck (including KAZUO UMEZZ THE GREAT ART EXHIBITION) Period:
Message from the Director. Since opening in 2003, the Mori Art Museum has always been the symbol of Roppongi Hills positioned itself as “Cultural Heart of a City” – Japanese capital city of Tokyo. It could thus be described as quite unique among private art museums, having being founded to serve as part of a new community.
Hirakawa Kota Black color timer 2016-2017 Acrylic, glass primer and oil on radio-controlled clock Installation view: “Catastrophe and the Power of Art,” Mori Art Museum, Tokyo, 2018 Photo: Kioku Keizo
Weekdays and Holidays 10:00-23:00 (Last Admission: 22:30) * Fridays, Saturdays, Days before holidays 10:00-25:00 (Last Admission: 24:00) * May 26 [Sat] open until 6:00 a.m. the following morning due to “Roppongi Art Night 2018.” (Last Admission: 5:30)