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  1. en.wikipedia.org › wiki › Jer_LauJer Lau - Wikipedia

    Jeremy Lau Ying-ting (Chinese: 柳應廷; born 20 November 1992), known professionally as Jer, is a Hong Kong singer, actor, and a member of the Hong Kong boy group Mirror. Apart from his group activities, Jer has also pursued a solo singing career, winning Best New Performer at the Metro Hit Awards, the Ultimate Song Chart Awards, the Chinese ...

  2. Mirror (stylised as MIRROR) is a Hong Kong Cantopop boy group formed through ViuTV's reality talent show Good Night Show - King Maker in 2018. The group consists of twelve members: Frankie Chan, Alton Wong, Lokman Yeung, Stanley Yau, Anson Kong, ,

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  4. The Chinese magic mirror (simplified Chinese: 透光镜; traditional Chinese: 透光鏡; pinyin: tòu guāng jìng) traces back to at least the 5th century, [2] although their existence during the Han dynasty (206 BC – 24 AD) has been claimed. [3] The mirrors were made out of solid bronze.

    • Terminology
    • Mirror Metaphors
    • Textual Examples
    • Speculum Metallurgy
    • Cross-Cultural Parallels
    • See Also
    • References
    • Further Reading
    • External Links

    There are numerous Chinese names for the fire-producing "sun-mirror" and water-producing "moon-mirror". These two bronze implements are literary metaphors for yin and yang, associating the "yang-mirror" yangsui with the Sun (a.k.a. tàiyáng 太陽 "great yang"), fire, dry, and round, and the "yin-mirror" fangshu with the Moon (tàiyīn 太陰 "great yin"), wa...

    Metaphorically using fangzhu and yangsui mirrors to represent yin and yang reflects a more commonly used Chinese philosophical metaphor of a mirror to denote the xin ("heart-mind"). For instance, the Zhuangzi famously says having a mirror-like xinrepresents Many scholars of Chinese philosophy have analyzed the mirror metaphor for the xin. Harold Os...

    The Chinese classics contain early information about yangsui fire-mirrors and fangshuwater-mirrors. The first two sources below are "ritual texts" of uncertain dates, and the others are presented chronologically.

    Bronze mirrors have special significance within the history of metallurgy in China. In the archaeology of China, copper and bronze mirrors first appeared in the (pre-16th century BCE) "early metalwork" period before the Shang dynasty. Developments of metal plaques and mirrors appear to have been faster in the Northwestern Region where there was mor...

    The Chinese use of burning-mirrors has parallels in other civilizations, especially to produce ritual "pure fire", used as the source for lighting other fires. Burning-mirrors were known to the Greeks and Romans. Archimedes supposedly set fire to the Roman fleet with burning-mirrors in 212 BCE, when Syracuse was besieged by Marcus Claudius Marcellu...

    Biot, Édouard (1881). Le Tcheou-li ou Rites des Tcheou. 2 vols. (in French). Imprimerie nationale.
    de Groot, Jan Jakob Maria (1892–1910). The Religious System of China: Its Ancient Forms, Evolution, History and Present Aspect, Manners, Customs and Social Institutions Connected Therewith (PDF). 6...
    Benn, James A. (2008), "Another Look at the Pseudo-Śūraṃgama sutra", Harvard Journal of Asiatic Studies68.1: 57–89.
    Demieville, Paul (1987), "The Mirror of the Mind," trans. Neal Donner, in Peter N. Gregory, ed., Sudden and Gradual: Approaches to Enlightenment in Chinese Thought, University of Hawai'i Press, 13–40.
    Savignac, Jean de (1954), "La Rosée Solaire de l'Ancienne Égypte", La Nouvelle Clio6: 345–353.
  5. The infinity mirror (also sometimes called an infinite mirror) is a configuration of two or more parallel or angled mirrors, which are arranged to create a series of smaller and smaller reflections that appear to recede to infinity.

  6. The Mirror & the Light covers the period following the death of Anne Boleyn in 1536. It describes Cromwell's ascent to the pinnacle of his riches and power, followed by his fall from royal favour and his public execution at Tower Hill in 1540.

  7. en.wikipedia.org › wiki › Sky_MirrorSky Mirror - Wikipedia

    Sky Mirror is a 6-metre-wide (20 ft)-wide concave dish of polished stainless steel weighing 10 tonnes (9.8 long tons) and angled up towards the sky. Its surface reflects the ever-changing environment.

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