搜尋結果
2023年12月24日 · This version of the Mona Lisa (Louvre) was painted by one of Leonardo’s pupils. The fact that each pentimento, or change, in Leonardo’s original (to the bust, outline of the veil and position of the fingers) is repeated here suggests that the two works were created simultaneously.
Boys on the Beach. 1909. Oil on canvas. On display elsewhere. The series of paintings featuring the ‘children in the water’ motif culminates in this work, in which nude boys play a greater part in the composition than in other pictures by Sorolla.
Diana and Actaeon. 1650. Oil on canvas. Room 040. After studying the canvas, the pigments, and the technique of this work as well as those of Diana and Callisto (P424), we can be sure that these paintings are 17th-century Spanish copies.
A small version showing only the Prado donor`s head, painted on canvas, is of uncertain date and significance. The figures of the Virgin and Christ in all these paintings are adapted, and reversed, from the centre panel of the Miraflores Triptych (Berlin, Staatliche Museen, Gemäldegalerie, inv. 534A).
2017年6月20日 · The Museo del Prado is presenting the Portrait of Manuela Isidra Téllez-Girón, future Duchess of Abrantes, painted in 1797 by Augustín Esteve y Marqués and recently acquired for the Museum with funds from the Óscar Alzaga Villaamil donation.
"A Tale of Two Women Painters: Sofonisba Anguissola and Lavinia Fontana" Lectures, placed from 27 to 28 January 2020, aimed at shedding further light on the theme of the exhibition, which for the first time brings together key works by two of the most outstanding women painters of the second half of the 16th century.
This characteristic portrait from the artist’s late phase depicts Beatrice van Hemmema. Born into a Frisian family, at a date prior to 1626 she married Robert de Vere, Earl of Oxford.
