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  1. Samedi 10 février 2024 à 14 h 30. Liu Fang 's pipa & guzheng music world. Audio demo. Liu Fang transmits in an expressive and erudite way the beauty and grace of Chinese traditional classical music, while drawing out the subtle sonorities of the pipa and the guzheng. Through the power and sensitivity of her playing, she gives renewed ...

  2. Pipa. The pipa is a four stringed lute with a pear-shaped body. Its short, bent neck has 30 frets which extend onto the soundboard, offering a wide range. This instrument appears in texts dating up to the second century B.C. There are a lot of written texts of the Han Dynasty (206 BC - 220 AD) about pipa music played and the stories that ...

  3. www.liufangmusic.net › English › biographyLiu Fang: Biography

    Biography (long version) Montreal resident Liu Fang has achieved an international reputation for her masterful and deeply spirited pipa playing. Born in 1974 in Kunming in the Chinese province of Yunnan, Liu Fang began studying the pipa at the age of six and gave her first public performance as a pipa soloist when she was nine. In 1985, she ...

  4. Liu Fang is an internationally acclaimed virtuoso for pipa and guzheng. Born in 1974 in Kunming in the province of Yunnan, China, she began playing the pipa at the age of 6, and by 11, she performed before Queen Elizabeth II. Her studies at the Shanghai Conservatory of Music broadened her musical range to include the study of the guzheng.

  5. Traditional Chinese music Solo recital with pipa and zheng. Duet with pipa and cello, pipa and flute, pipa and erhu, pipa and lute, pipa and guitar, pipa and piano, or pipa and zheng. With an ensemble in chamber music setting. Pipa

  6. 中國傳統樂器古箏(Chinese zither Gu-zheng) 古箏是中國最古老彈弦樂器之一。早在春秋戰國時期,就已盛行於陝西和甘肅一帶。公元前237年李斯上書秦始皇時,曾如此描述當時民間箏歌場面:“夫擊瓮叩 ,彈箏搏 而歌乎鳴鳴,快耳目者,真秦之聲也。

  7. www.liufangmusic.net › big5 › history_of_zheng箏的歷史沿革

    這恐怕與它具有古老的歷史淵源、濃郁的民族特色,以及丰富的傳統箏曲給人們留下的古朴雅致的情趣有關。 在古代,箏還被稱為秦箏、瑤箏、銀箏、云箏、素箏等。 一、箏的淵流和形制的沿革. 關于箏的淵流,史料記載說法不一。 大致有三種說法: 1、分瑟為箏說. 在古代文獻中確實有分瑟為箏的說法。 唐趙磷《因話錄》中記述:“箏,秦樂也,乃琴之流(一作琴)。 古瑟五十弦,自黃帝令素女鼓瑟,帝悲不止,破之,自后瑟至二十五弦。 秦人鼓瑟,兄弟爭之,又破為二。 箏之名自此始。 ”宋代的丁度在他的《集韻》中也載有類似的說法:“秦人薄義,父子爭瑟而分之,因此為名。 箏十二弦,蓋破二十五而為之也。 ”日本第十七世紀元祿年間宮廷樂師岡昌名所著《樂道類集》中記載有:“...或云:秦有婉無義者。

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