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  1. 2020年2月20日 · Even still, pretty much all of Ququri 1,200 rooms, split across multiple buildings around Tokyo, are being rented. They’re especially popular with people in their 20s and 30s, who make up about 90 percent of the tenants. They’re not only being used as bachelor bunkers, either, as roughly 40 percent of Ququri residents are women.

  2. 2020年8月12日 · 日语是很婉转的:“战争”说成“有事”,“战败”说成“终战”,那么“大地主”就变成了“农”。现在伊藤家的旧宅变成了北方文化博物馆,馆内的说明是“农的旧宅”。 伊藤家从江户中期由农民起家,经过几代致富,成为越后(新潟的旧称)最富有的大地主,明治时期,伊藤家拥有的 ...

  3. 2020年3月6日 · Japan’s many love hotels offer couples a private space for some intimate time, typically for an hourly rate. However, despite what you might expect, love hotels are slowly beginning to shed their image as hotbeds of illicit after-hours activity. Between Japan’s small apartments and the prevalence of people living at home well into their 30s ...

  4. 2016年7月13日 · Even in Tokyo, you can still find a great selection of unique and affordable places to lay your head—if you know where to look! Tokyo is known for its numerous classy and luxurious hotels. But you can also find a great selection of unique and affordable places to lay

  5. 2023年6月19日 · In Part 1 of this series, we look at useful concepts that underlie space-efficient Japanese home design. These are not intended to give your home a “Japanese” style, though many of the concepts are rooted in tradition. Instead, these concepts are meant to stimulate your thinking about how to make the most of your own living space.

  6. 2018年6月28日 · Located in the heart of the city in Tokyo's Bunkyo Ward, Rikugien is a kaiyu circuit-style "daimyo garden." It was constructed in the Edo Period (1603 - 1868) in 1702 at the behest of the fifth shogun, Tsunayoshi Tokugawa, by Yanagisawa Yoshiyasu—daimyo of Kawagoe and close friend to Tsunayoshi. The name Rikugien (六義園) is actually a ...

  7. 2019年11月9日 · 7. Explore the award-winning Keio Takaosanguchi Station and the surrounding area. In 2015, Keio Takaosanguchi Station won a design award for the cladding features designed by Kengo Kuma. The large wooden roof represents the thin barrier between our physical world and that of the gods.