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The monstrous and phantasmic bodysuits she wore during those performances eventually developed into sculptural artworks such as Monster: Pink in their own right. Through various sculpture series including “Cyborg,” “Anagram,” and “Live Forever,” Lee investigated the limits of human desire, ideals and potential.
In 1997, Majestic Splendor was exhibited as part of the “Projects” series at The Museum of Modern Art, New York. The artwork, which consisted of garishly decorated raw fish, filled the gallery with a terrible stench and they were consequently removed shortly after the exhibition opened.
Guernica in Sand is a recreation of Picasso' s Guernica in the form of sand painting by Lee Mingwei. On Sunday, November 16, 2014, the artist and his assistants conducted a performance sweeping the surface to transform the image (to its current state) after members of the audience walked on the painting. Performance video: Guernica in Sand.
In 2010, the Lee Ufan Museum opened on Naoshima, Japan, followed by Space Lee Ufan annex of the Busan Museum of Art in South Korea in 2015, and Lee Ufan Arles in the French city of Arles in 2022. Relatum (1968/2019) features sheets of industrial iron and glass placed over each other on the floor, with a large rock then on top.
Mori Arts Center Gallery. The Museum mainly has modern art exhibitions in a variety of genres, including fashion, architecture, design, photography, and video.
Sorry for suffering - You think I'm a puppy on a picnic? 1990 stills from original performance Courtesy: Studio Lee Bul The 1980s and 1990s in South Korea was a period of transition from military dictatorship to democracy. It was also the time that Lee Bul studied ...
First presented in 1961, the “Add Color Painting” series invites visitors to add colors or words onto a white canvas, white globe, and so on displayed in the gallery. It forms a metaphor for the idea that every moment in our ever-changing lives is beautiful.
