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- 1. 面對面地 His ambition was to meet his favourite pop star face to face. 他心向往之的是要面對面地見見他心目中的流行曲歌星。
- 2. 面對著的 be face to face with danger/death 直接面對危險／死亡
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Face-to-face, also known as Face-me-I-face-you, a type of residential real estate, where a group of one-room apartments have their entrances facing each other. Face to Face (photograph) , a photograph of two warriors staring each other down during the Oka Crisis
"Face to Face" is a song recorded by English rock band Siouxsie and the Banshees. It was composed by the group along with Danny Elfman and was produced by Stephen Hague . The track was featured in the 1992 film Batman Returns and is included on its soundtrack .
- "I Could Be Again", "Hothead", "Sea Of Light"
- 1992
- 4:17
- 13 July 1992
Don't Turn Away is the first album by the American punk rock band Face to Face. [4] . It was released in 1992 under the label Dr. Strange Records, and was considered a strong debut for the band. It was re-released a year later on Fat Wreck Chords. [3]
Face to Face is a punk rock band from Victorville, California, formed in 1991 by frontman Trever Keith, bassist Matt Riddle and drummer Rob Kurth. The band rose to fame with their 1995 album Big Choice , featuring the radio hit " Disconnected " which received heavy rotation on KROQ radio in Los Angeles and appeared in the movies Tank ...
Music video. "Face to Face" on YouTube. " Face to Face " is a song by French electronic music duo Daft Punk, featuring vocals and co-production by American house music producer Todd Edwards. It was released as the fifth single from their 2001 album Discovery.
Standards and Practices is the fourth studio album by the American punk rock band Face to Face. It was a cover album that released in 1999 under the label Lady Luck, Face to Face's imprint through Vagrant Records .
Face to Face is the fourth studio album by the English rock band the Kinks, released on 28 October 1966. The album marked a shift from the hard-driving style of beat music that had catapulted the group to international acclaim in 1964, instead drawing heavily from baroque pop and music hall.
